what software is used to create mashups by djs reddit

Anyone in doubt that men with laptops and mixers take usurped the throne one time occupied by those wielding guitars need only to enquire the 5000-strong crowd going berserk
 at Brixton Academy tonight. The latest stop on the never-ending global tour
 of American DJ Steve Aoki, it's a behemothic moshpit of flailing arms, euphoric grins, phase-diving and confetti. At one point, Aoki surfs the oversupply in an inflatable dinghy; the adjacent he is rain grin ravers with foam cakes. Lonely on stage but for the company of state-of-the-fine art graphics displays, laser beams and 10ft dry-ice cannons, it's abundantly clear who the stone star is here.

They're the party starters in a scene that lives off a diet of MDMA and alcohol – yet they manage to juggle living difficult with living healthy

By comparison with some of Aoki's other shows, tonight is no large bargain. At last year's Tomorrowland festival in Belgium, he played to more than 100,000 people. Trip the light fantastic toe music has exploded 
in popularity over the past
 few years, driven past the
 USA's fervent embrace of 
EDM (electronic trip the light fantastic
 music) festivals – essentially, hyper-commercialised
 versions of what Britons of 
a certain age call "raves".
 Meanwhile LED tech and 
pyrotechnics have turned
 the less-than-riveting sight
 of a man in headphones 
twiddling knobs into an
 audio-visual caricature that makes Glastonbury wait similar Woodstock.

There was a time, non as well long agone, when DJs were petty more faceless political party-starters, spinning records from a dimly lit booth in the corner of a club. The Chemic Brothers famously eulogized the superstar DJ, simply in reality even those with hit singles and household names – the likes of Paul Oakenfold, Sasha and Roger Sanchez – would not exactly be beating off attention on the high street. Today, the images of big-name DJs are as carefully produced as their music. Have Calvin Harris. The 31-year-one-time Scot has transformed himself from the greasy-haired geek who had love for you if yous were built-in in the '80s, to the tanned face (and toned trunk) of an Armani underwear campaign.

The money he's made with his gym-sculpted torso, aslope a string of No1 singles and a residency in Las Vegas superclub Hakkasan, has contributed to Harris's fortunes. According to Forbes, Harris notched the highest single-year payday of any DJ it'southward evaluated, pulling in a reported $66 million in 2014. That figure puts the Dumfries-born DJ amongst the top 10 richest people in music terminal year, alongside Paul McCartney, Beyoncé and Dr Dre. While Harris may exist standing in the most lucrative DJ berth on the planet, he is allegorical of a $4.v billion scene that has unceremoniously booted guitar-based rock out of the charts for the foreseeable future.

The difference is that different their rock star predecessors,
 the new ingather of millionaire DJs have neither the fourth dimension nor inclination to develop a handsome cocaine habit or get AWOL for
 a week in Ibiza. And they aren't but raking it in, only working their socks off to do then. They play every bit many gigs as there are days in the year; they're the party starters in a scene that lives off a diet of MDMA and alcohol; and nonetheless they manage to find balance, to juggle living hard with living healthy.

"DJs are super-fit these days," says Sasha, a clubland veteran who has seen many come and go over his 26 years in the game. "Back in the day at that place was a very hedonistic border to the scene. Every bit a DJ you had to be the final man standing almost
 to bear witness your worth. Now you've got New York covered with huge billboard posters of Calvin Harris in his pants. And he looks fantastic. It's only a different age."

It certainly is: today's superstar spinners have to expect skilful and be at their peak, iv or five nights a calendar week. They have to stay fit despite a life full of temptation, slumber deprivation and constant travel. The rewards of their vigilance are self-evident: serious coin, fame and adulation. The question is no longer why, but how?

Monochrome, Monochrome photography, Black-and-white, Circle, Still life photography,

Chemic Reaction

The heroes of 1988's 'Second Summertime of Beloved' were a unlike breed. For many, the discovery of ecstasy was every bit important as – or important to – the music. The final DJ boom, at the plow of the millennium, was synonymous with excess. This was the age of Ibiza's Manumission motel, where a gang of DJs superglued a dildo to the caput of 1 of their peers; the era when
 a cocaine-addicted Brandon Cake saw his septum fall out while chatting upwardly fans.

The current scene may be tamer, but the rising of dance music in the The states owes 
not a little to the rise of Molly: a catch-all term for stimulants such as MDMA and 'legal high' analogs. But while at that place are still plenty of DJs with an appetite for excess, the truth is that for big EDM stars there is besides much at stake; in 2015, the 
DJ is invariably the well-nigh sober person in the club. "In my world," says Steve Aoki, as he sips on a kale juice the 24-hour interval after his Brixton gig, "I don't see people doing what you'd await: DJs on cocaine, too drunkard to play. Subject field is the most valuable trait you can have. One of the best feelings for me is to exist 'present'. That feeling is why 
I tin can tour at the stride I am."

The pace he's referring to sees him clock up 200-plus shows a year. Most
 of the top bracket play at to the lowest degree iv gigs 
a week worldwide – more during festival flavor. A bump in the road can take serious repercussions. When Swedish
 star Avicii was forced to cancel months of shows later on gall bladder bug, he and all the people on Team Avicii who depend on him missed out on tens of millions. The job brings with it a very real pressure. OK, so the DJ'due south glamorous lifestyle doesn't quite compare to the grind of a 'real chore'. But keeping a political party going until 6am in one fourth dimension zone before jetting off to practise the same in another takes a lot of adjustment. In yesteryear, 24-hour party people 
would plough to chemical science to maintain their energy levels. The new kings of the beats are headstrong and trunk-smart.

Living in the zone

No ane travels more Steve Aoki. That's no exaggeration: he holds the Guinness Earth Record for the well-nigh air miles accrued in a yr by a touring creative person. When MH sits down with him in London's St Martins Lane Hotel, the afternoon after his Brixton gig, information technology's already been a full day for the 37-twelvemonth-former, with two shoots for style titles and a clutch of interviews. He shows no signs of flagging.

But then, Aoki doesn't flag: in fact, he's determined to take full advantage of
a schedule that would crush lesser mortals. The nighttime before last he 
played Manchester's Albert Hall.
 Before that it was the Eden Beach
Order on The Palm in Dubai. (When 
he arrived via a long-haul flight, the first thing he did was to become skydiving.) He'due south most to launch a prove on MTV called Chance Aoki. "I'thou so lucky to go these opportunities," he says. "I don't want to waste whatsoever fourth dimension sitting in a hotel."

His slight frame belies his huge stage presence, but it's his holistic approach 
to wellbeing that keeps Steve spinning
at 78rpm. "If you think in a toxic way, what y'all put out will exist toxic," he says. "At that place's more to being healthy than working out and protein shakes." When Aoki's father Hiroaki (founder of the Benihana eating house chain) died at the age of 69, he says ane of his master regrets was, "not knowing anything about wellness". Aoki has since consumed books such equally Michael Pollan's The Omnivore's Dilemma and Anti Cancer: A New Style 
Of Life by Dr David Servan Schreiber. In 2009 he quit alcohol ("a major crutch"). He swears past cruciferous vegetables and avoids wheat and flour. When he needs energy for a 2am DJ slot, he sips dark-green tea.

To watch him on stage is one hell of an advert for green tea. The sweat drips off Aoki's dorsum as he bounces around with more than vigour than his entranced, pogoing audience. By style of a rough experiment, MH asked him to article of clothing a Fitbit Charge tracker for the duration of terminal nighttime'southward performance. Two hours later, he'd burned 1000 calories, with his eye charge per unit consistently up effectually the 120bpm marking. These are figures of which a Premiership footballer would exist proud, and Aoki is doing information technology nighttime after nighttime later on dark.

The fizz is all well and practiced but the hardest part of the DJ lifestyle, says Sasha, is the broken sleeping patterns. "I've done two round-the- globe trips in the by month and coping with the unlike time zones can exist difficult," he says. "I used to try to force myself into the time zone, just at present I just go with information technology. After all, if I'1000 going to work at 1am, there's non much point in trying to fit into the mean solar day-night rhythm." Existent proper name Alex Coe, Sasha made his proper noun at seminal Uk clubs like Shelley'southward, earlier a partnership with John Digweed and a series of pioneering mix albums saw him go the pin-up of the kickoff wave of superstar DJs.

As with many of his younger counterparts, it's exercise that Sasha uses to kickoff the frenetic club-to-club lifestyle. "I always take my running gear with me, wherever I become," he says. "I make a betoken of seeing daylight – to feel the lord's day on my face. It helps me reset and primes me for the 6 or 7 hours of slumber I need. I don't really push myself, it'southward more than about getting exterior. It feels so good to flush out nightclub air from my lungs." The gym, nevertheless, leaves less to be desired for Sasha, though not necessarily because of an aversion to the subject area. "I only can't stand the music," he says.

Concrete, Circle, Drawing,

Self production values

Edifying though all this talk of actual preservation may exist, don't let anyone kid you that it's not about the aesthetics, too. The rising and rise of Calvin Harris equally artist and model is testimony to the fact that epitome sells. Despite the pyrotechnics, 
the accent on the figure centre-stage is greater than ever – DJs are emblazoned in Hard disk drive on enormous screens. And they're expected to look the part off-screen, too. A studio tan and pizza diet won't earn you a entrada with an Italian fashion business firm.

"When you're standing up there with your arms in the air," says the Great britain's DJ Fresh, "it's a bit shit if yous expect like a twig." While his winters are spent in the studio (Fresh, AKA Daniel Stein, has had massive success as a producer), by spring Fresh's DJing carousel starts spinning in hostage. Despite a hectic gigging schedule, he works out every 2nd day, often driving for miles to observe a gym. "I exercise circuits to keep it interesting," he says, "bursts of weighted crunches, stuff like that. My goal isn't to expect built-up; I just want to look trim. If y'all expect healthy – similar you take your shit together – information technology shows that you lot're there for the music."

Some DJs take setting 
an case to a whole new level. "Possibly it does look strange halfway through a gear up when everyone is drinking champagne and my manager brings me a protein shake," concedes DJ Cedric Gervais, the Frenchman who came to prominence with his boom remix of Lana Del Rey'southward Summer Sadness. Gervais is the paradigm of the trim dance music DJ,
 a expect he achieves past working with a PT every morning. "When I'k on the road my team cull the hotels I stay in, and they brand sure it's somewhere with a good gym. I try to be very disciplined."

And there'due south that word again: discipline – as un-rock'north'coil a term as there is,
 and yet seemingly the most important quality required by a successful DJ. The crude fact is that no six-pack means no music video; no residency; no high- profile endorsement. EDM DJs oasis't started looking after their bodies but because they desire to, but because the commercially driven party manufacture they front demands information technology. Forgoing the excesses of their predecessors is as integral to success as a set of turntables or an 808 ever were. The DJ is expressionless. Long live the DJ.

Past: Duncan Dick; Photography: Jobe Lawrenson

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Source: https://www.menshealth.com/uk/fitness/a754360/how-djs-became-the-new-rockstars/

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